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You can export to several other file formats, thereby enabling you to save the file in another format. You can also import several formats. This section explains how to do both.

Microscopic image capture is more involved in instrumentation because it could include various types of microscope, namely among these uorescence and confocal, and the skill of using them, whereas endoscopy only involves a cannula, a light source with a light guide assembly, and a CCD camera We rst describe the digital chain and the basics of color imaging 391 The Digital Chain After the light source creates an image and is captured by a CCD camera, the image is transmitted to a digital chain The digital chain consists of an A/D converter, image memory, computer, storage, and display shown in Figure 328, which is identical to that of a digital uorography shown in Figure 36 The hardware components special speci cations may not be identical due to the different nature of image capture, but their functions are the same.

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where Q I n t e r O M j represents the inter-cell orthogonality factor with omni-sector antennas at the jth interfering base station and XInteroM represents the instantaneous shadowing coefficient resulting from the J interfering base stations when operating with omni-sector antennas. Similarly, intra-cell interference can be computed with omni-sector antennas using equation (6.7). Also, the inter- and intra-cell interference for cells using switched beam antennas are computed from equations (6.9) and (6.11) respectively. Note that the (1- P ) term in the equations represents the pilot power fraction that does not reduce as a function of beamwidth since it is required to be transmitted simultaneously across the entire coverage area.

For example, the method of capturing a color image is different from that of a gray scale image The next section describes the basic of color image and color memories in both microscopy and endoscopy 392 Color Image and Color Memory Light images are mostly colored In the digitization process the image is digitized three times with a red, blue, and green lter, in three separate but consecutive steps The three color- ltered images are then stored in three corresponding image memories red, blue, and green, each of which with eight bits Thus a true color image has 24 bits/pixel The computer treats the content of the three image memories as individual microscopic images and processes them separately The real color image can be displayed back on a color monitor from these three memories with a.

In Figure 9-5, the scale display differs from that shown in Figure 9-4. You change the display by selecting the down arrow opposite the X on the audio track. A menu there allows you to change the way the scale is represented. In this screen shot, I have switched to a dB scale, which gives you a better representation of what your recorded audio levels actually are. If you have not taken the time to set your audio levels as I told you to in 8, you may get done recording and ask, Are my levels good I know from experience that you can look across the spectrum and almost immediately determine where you may need some more amplification or even where you need to lower an audio level. The marker below 0 is 6, and you can see that this recording had levels pretty much between 6 and 3, with a few peaks at 0. I would fix only the very beginning of the track, where the audio level is low. I know from the timing that is actually my intro; thus, its levels need to be raised. Figure 9-6 shows the same recording in Adobe Audition. Professional tools such as Adobe Audition will give you a more detailed look up and down the scale at exactly what you have recorded. In Figure 9-5, you do not have as dynamic a scale. The point I want to make here is that you will need to eyeball it somewhat with Audacity, whereas in Adobe Audition you will be able to see scale with greater clarity. My personal opinion is that Audacity makes up for that because it implements some auto level tools in its amplification section.

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